Authors:
Lisa Min
Dear Reader, This essay is an exploration of redaction as method, with particular emphasis on the process of designing such a method. The idea emerged from a closed workshop organized at UC Berkeley in May 2019 where scholars came together to discuss some of the pressing security and ethical dilemmas of working in the Eurasian socialist/postsocialist space. I presented on the way that my Polaroid camera troubled the usual way of seeing the "other Korea" (through the lens of security, human rights, and the Cold War) by its uncanny ability to be invisible in all of its flashy visibility…
You must be a member of SIGCHI, a subscriber to ACM's Digital Library, or an interactions subscriber to read the full text of this article.
GET ACCESS
Join ACM SIGCHIIn addition to all of the professional benefits of being a SIGCHI member, members get full access to interactions online content and receive the print version of the magazine bimonthly.
Subscribe to the ACM Digital Library
Get access to all interactions content online and the entire archive of ACM publications dating back to 1954. (Please check with your institution to see if it already has a subscription.)
Subscribe to interactions
Get full access to interactions online content and receive the print version of the magazine bimonthly.
